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HD ARTICLES
Editing Workflow for ProRes and HDV HDV is a very popular, inexpensive format, but it can be tricky to edit. Converting it to ProRes 422 can save editing time - but the question is how to convert it. This article describes how. (Published: Jun. 2008 ; Final Cut Pro v. 6) Updated ! What I've Learned about HDV Trying to get up to speed on HDV quickly. This article gives you a primer on the current status of HDV - what's good, what's bad, and what you need to know. (Published: Apr. 2006 - Updated: Jun. 2008 ; Final Cut Pro v. 5.0x) Editing HD in an SD Timeline Not everyone needs HD. However, HD can make reframing a lot easier -- especially when it is integrated into an SD timeline. This article provides an example of how this is done. (Published: Jun. 2008 ; Final Cut Pro v. 5.0x, 5.1x, 6) Updated ! Review: Matrox MXO The Matrox MXO offers a reasonably priced way to monitor and output HD video. Learn more about it in this review. (Published: Aug. 2007 - Updated: Apr. 2008 ; Final Cut Pro v. 5.1x, 6) Scaling in Compressor Down-converting HD to SD using Compressor provides better image quality than using Final Cut Pro. This article shows you why. (Published: Mar. 2008 ; Compressor) Editing HDV I've been writing a lot about HDV recently - and not all of it positive. However, Iain Anderson sent this in with his positive results using HDV. You owe it to yourself to read both side of the issue and Iain does a nice job. (Published: Mar. 2008 ; Final Cut Pro v. 5.0x, 5.1x, 6) Picking a Codec for HD There is no one "perfect" video codec (compressor/decompressor), but some codecs are better than others. This article helps you make a better choice. (Published: Jan. 2008 ; Final Cut Pro v. 5.0x, 5.1x, 6) In Need of a Universal Output Format Wendy is searching for a universal HD output format to simplify distribution of her projects. In this article, she discovers that's easier to say than to do. (Published: Jan. 2008 ; Final Cut Pro v. 5.0x, 5.1x, 6) Issues with On-lining HD Sequences Converting a low-resolution edit into a high-res master is the process of on-lining. Here are a series of tips to keep in mind as you on-line High-Def material. (Published: Jan. 2007 ; Final Cut Pro v. HD, 5.0x) Discussion: Using XDCAM as Archive Media XDCAM is generating a lot of interest for its high-def quality and small size. This discussion began with a question about using it for archiving - which spawned a lot of additonal thoughts. (Published: Sep. 2006 ; Final Cut Pro v. 5.0x) |